#under cut bc long

[wyndford-dekarios-majima]

returning the favor. all the non sex ones for Pearson [too tired to pick all the numbers you're free to ignore the ones you don't want to do <3]

YUIPPEEE RUNNING AROUND AND YELLING SCREAMING WHEN PEOPLE ASK ME WHATS WRONG I JUST YUELL I LOVE MY FREAKING WIFE!!! AN D RUN OFF WITH NO EXPLANATION

How did you two meet? // Deciding between Pearson being a customer at Ace's shop and Ace escorting a monsterkin friend to the R.I.P., or OR maybe they met bc Atom was trying to pilfer something and they went uh where's your . guardian. and they got so distracted by Pearson that Atom was able to get away with the item LOL

Was it love at first sight, or did it take awhile for you to warm up to each other? // It wasn't immediately romantic, but con artists are either best friends or sworn enemies, and in this case Ace was quick enough on their feet to entertain rather than enrage so they're pretty good friends off the bat :]

What do the people around you think of your relationship? // Arthur is canonically very protective of their family, but I recall at some point Shou saying Arthur would egg on their thing? Or maybe that was Meryl icr- but the point stands that Arthur is hostile until they're not LOL. We already know how Salem feels (other fella dot mp3), I'd like to think Meryl would be alright with it? If not supportive. Polyam for the fucking win (separate relationships but still friends), and. I think Atom is just suffering. Atom voice stop tryna fuck my dads-

Do you have pet names for each other? // 'Pear' is a pre-established nickname Ace has for Pearson, but they both also default to normal 'dear', 'babe', etc. (Eventually I think they let people call them 'Fen' too, but only people they're close to [short for 'Fengari (Φεγγάρι)'], and Pearson would be one of them.)

Have you given your ship a name? // gestures to the ship tag. but a different one might be ace of hearts :] as an alternative

Who is the more dominant one in the relationship? // Taking this as not a sex question because I know more. Ace tends to be the one that pays in the Tallyho vers bc Pearson is flat broke, while in other versions Pearson is the one who pays for things, and you'd think that'd be an indicator of the more controlling one of the relationship, but it's honestly an even split. They both have their moments either way, but in terms of physically fighting for one another, Ace tends to do it more often because they have the power to.

What does each of you think about PDA? // It's a useful tool to avoid the police <3 (casual hand-holding is a favourite of Ace's outside escaping the police)

What do you two find to be the most attractive about one another? // Ace finds everything about Pearson attractive. A conman entrepreneur that hates his family, is outrageously Irish, and is pansexual? Their colours even match. What's not to love? Pearson would probably find Ace easy to coexist around, honestly...no expectations, no duties, they're just two stable adults shooting the shit.

10. What was your worst fight? // In Tallyho vers, regardless of canon complicity, it's probably to do with Salem (either them seeing him or working for him in the more canon-compliant vers). Outside of that it's probably just. arguments over who left what out. 11. Best gifts you two have exchanged? // Ace is a fella who gives a lot of gifts, because the shop just kinda...spawns them. They find a random object in their shop that definitely wasn't there before, get the strong feeling that 'x would like this', and they give it. Probably the best gift they've given was a hand-made one, like a ring or something. Pearson's best gift is himself, obviously- 12. Do you want/have kids? // Atom is more than enough for Pearson. Ace has Breun sooner or later, and that's good enough for them too- 13. Have you ever broken up? // Over the Salem thing, at least. It wasn't official, as they never really say they're dating, but... 14/15. Scariest/Happiest moment together? // Scariest is probably whenever Atom is in danger and they barely make it to save them. Atom is so incredibly important to the two of them, despite how Ace never really says anything (they're more actions than words). Happiest moments are domestic things. The R.I.P. succeeding is relief and pride, plus Ace isn't there for that- but shit like cooking together in the kitchen or just sitting down and resting after a long day... 16. Are you or will you ever get married? // Pearson is technically still married. If anything, they'd do it for tax benefits and the excuse of their spouse to get home to, like I stated a while ago. They do love each other, but a 'genuine' marriage isn't in the cards I think. 17. Ideal way to spend time with one another? // Doing anything but work. Walks on the docks, getting a bite at markets, etc.

19. What areas do the two of you like to be kissed on? // Ace likes the hand or the neck. Ace can't exactly 'kiss' most of the time, as most of the time they don't have a face, but they do make sure to kiss Pearson all over his silly face when they do, and he seems to like it well enough :] 20. What are the biggest relationship flaws the two of you have? // Ace is so fucking emotionally constipated and thinks everything is quid pro quo. Pearson seems the type to only be genuine behind closed doors, and I could be wrong about that, but he's also...probably rather closed off about the whole 'love' thing in Tallyho at least, not wanting to label it or say it, and being a complete mess about it. 21/22. In what ways are you similar/different? // Oh brother I could go on about this for hours. Let's just start and end it at they're both ourple conmen for similarities. As for differences, well...Pearson isn't a corpse. Nor does he have a storefront he runs. And I don't think he's being hunted down by anyone? So- 23. Who is most affectionate? // Outwardly, probably Pearson. He seems the type of fella to buy flowers and shit if he has the funds. Makes sure his partner knows he's paying attention, even when he's very stressed. 24. If the two of you are apart for a long time, who takes it the hardest? // Ace can't die. They just see it as training for the break that won't end. Pearson probably takes it worse. 25. Who said "I love you" first? // Out loud? Probably Pearson. Ace says 'I love you' in different ways. 26. What was your first kiss like? // Sticky.

29. What do the two of you wear for couples' Halloween costumes? // The idea of Morticia and Gomez Addams in a modern vers struck me (with Atom as Pugsley and Breun as Wednesday) (Meryl stays home to hand out candy maybe), but in Tallyho, probably Jekyll and Hyde, actually. 30. Who is more possessive over the other? // Ace doesn't get too possessive and neither does Pearson probably, but I think Pearson gets clingy when drunk at the very least.

32. Is jealousy a problem at all? // Finanically, probably, but relationship wise? Nah, they're both chill. 34. Who confessed first? // Again, probably Pearson, if it does happen. Ace isn't a words guy. 36. Who apologises most? // Ace. They hate being in the way and will apologise for literally fucking anything. 38. How do you comfort one another during difficult times? // Providing distractions, letting the other talk, offering solutions off experience. Neither of them are the type to willingly wallow. 39. How would both of you react to find someone hitting on the other? // That's just how it goes. They're not in an exclusive relationship, neither of them really care unless it's clear it's unwanted.

[ink-the-artist]

Rabbits

Some bonus art, I initially started making this in a totally different art style but changed my mind about halfway through lmao, here are the parts I finished

[possamble]

Like take for example how she treats healing Laios leg!! We *never* see someone who was healed have lasting symptoms from a heal. It *itches* terribly — Laios looks like he will scratch it raw. The itching implies an incomplete heal — you only itch that bad when something is being regrown or scabbing like when you get tattoos. There’s something that needs to finish healing. This scene always stood out to me— because Falin notices and *heals* it. And that brought up a ton of questions for me (We see her cast magic, was it to soothe the itching? A phantom pain? Why was it itching in the first place? Didn’t Marcille finish the job? Why was he having after effects we never see someone have any before?) and i’m breaking my brain over it because is this an sign of Marcille’s engagement with healing in general? Perfunctory—a means to an end? Morals? I feel like there is something there for us because that scene wasn’t necessary to the plot so why did Ryoko Kui add this interaction? I think how Marcille engages with healing was telling us a lot more than I previously realized because she was in a medical researcher position before coming into the dungeon however when we see how this was practically applied by her was really interesting!! She’s so divorced from feeling empathy for the pain of healing and i think that’s some sort of self-preservation instinct. Idk i just feel like her engagement with healing is so fucking fascinating when juxtaposed with her beliefs on death pls share thots if any

I think what gets hidden in the details about Marcille’s healing is that no, she’s not a talented cleric and healer in the way that Falin is. But Fantasy settings tend to relegate healing towards “holy” and “good” magic that never causes harm—

and Marcille is what you’d get if you put a doctor and a surgeon with a modern, more realistic approach towards medicine in a genre that doesn’t usually allow for that. 

Like, you’ll see surgeons or doctors secretly being incredibly efficient serial killers in TV thrillers everywhere—but a fantasy series with a cleric or healer that’s secretly great at killing is a bit more rare to find(though not nonexistent, admittedly). Healing magic tends to be painted as either a religious discipline that’s not accessible to those who don’t have a tie to a deity or some ineffable force in the universe, or a matter of accessing some natural “life force” that exists in all living beings. 

Dungeon Meshi, of course, loves bending fantasy conventions in the most incredible ways, so that’s not how it works here. The series allows itself to contend with the fact that healing a human body requires extensive and painstakingly detailed knowledge of that body.

The reason that Falin might appear to be a much more talented healer than Marcille is because Kui dresses her up in all the archetypal traits of a Caring Cleric, and that immediately clicks with readers expecting fantasy conventions in ways that Marcille's expertise doesn't.

This isn’t to discredit Falin, obviously. She is a talented healer, as attested to by Marcille herself:

But the interesting thing is that she does it all on instinct, so it’s not an exact knowledge. Furthermore, she uses the gnomish system of healing, which is implied to rely more on the judgment and knowledge of natural spirits (and therefore takes less mana). So it’s not hard to imagine that she would have less exact knowledge of how the human body operates than Marcille does as a medical researcher. 

And that in and of itself raises questions: In a world where magic can immediately re-attach a limb, why would medical research be necessary? But Dungeon Meshi makes it clear that healing magic isn’t perfect, nor “holy” magic—it’s simply magic, like any other, carefully tailored to operate within the confines of what a human body needs in order to keep living. It’s not able to cure everything, and it especially seems to have gaps in terms of being able to treat illnesses that aren’t immediately solvable injuries.

And that all ties into Marcille's attitude towards it: It's a scientific and magical discipline like any other that requires careful study. There's nothing inherently good or bad about it—it was made by people, for people, and what matters is how you use it.

So, Marcille was at the academy, studying the ways that illness happens in a body, and carefully writing new magic to counteract or at least mitigate it.

(How I interpreted this was that she was likely part of research teams dealing with complicated things like autoimmune diseases, cancer, and other things where the body isn’t technically injured by a foreign element, but erroneously harming itself due to internal reasons.)

For me, this kind of explains her approach to pain in healing:

Honestly, what this immediately reminded me of was that a friend of mine had to have surgery on their throat when they were younger, and part of the procedure was waking them up without anaesthesia right after the surgery to make sure that they could still feel everything. They told me it was the worst pain they’d ever felt in their entire life—but from a medical perspective, it was necessary to make sure that none of the critical nerves in the neck had been affected. 

Sometimes in medicine, pain is necessary because it’s not some uncomplicated and bad thing—it’s a response of your nervous system, and sometimes the only indicator that your body is still working the way it should. And I think this is the mindset that Marcille has, which is why she seems so blase about it—she doesn’t think that she’s actually hurting people, it’s just a necessary part of the healing process. 

And in some ways, she just sees it as a realistic downside of the fact that you have to recover quickly in dungeon situations:

Normal recovery would take months. Healing magic shortens that to a few seconds. The pain is a result/tradeoff of forcing something that would naturally take a long time into such a short timespan. This all makes sense and is Right and Correct and Normal in Marcille's mind. It's not that she lacks empathy and doesn't care enough about not harming her patients: she doesn't think that it's "harm" at all.

Not a shred of guilt in that face before causing extreme pain. Contrast this to her constant fussing over Izutsumi on the smallest things—it's hard to believe she wouldn't even be a little apologetic if she actually believed this would be hurtful in a way that matters.

I think this is overall, less indicative of any lack of empathy so much as her incredibly stubborn and sometimes ridiculous way of compartmentalizing things to her own internal rules. I’d even argue that this mindset is preferable in surface situations, where people have the luxury of time. Dungeon healing hurts because it has to be fast and instantaneous—but if you're just treating a broken bone that can be put in a cast with slower healing magic to help, wouldn't you prefer that over an instant heal with the chance to cause brain damage, no matter how minuscule the chance is? Shouldn’t your long-term health matter more than short-term recovery and some pain?

To touch on Laios’s leg injury—we actually do see this kind of reaction to healing magic later on in the manga. When Marcille is teaching Laios how to heal, she ends up bowling him over because her cut gets super itchy:

but then she reacts positively and tells him that it's supposed to happen, before trusting him enough to try it on Senshi.

So while yes, it was an “incomplete” heal, I don’t think it was particularly telling about her approach to healing. And honestly, judging by the fact that it only distracted him when he was relaxed enough to be cleaning his armour before bed, it looks like she connected all the major muscles and nerves enough not to cause pain or risk re-injury by moving, but just left superficial stuff for Laios’s body to naturally heal. 

Her mindset makes sense in context: She also had to heal Chilchuck and Senshi, while conserving enough energy to immediately start digging for Falin’s body and potentially do a very taxing resurrection spell as soon as possible. 

After that, Falin healed the rest of Laios’s leg injury in a situation where it wasn’t needed, but there were no other high stakes to discourage it. Also, she can’t bear to see others in pain. ambrosiagourmet already did an incredible analysis of how this empathy doesn't really signify perfect altruism so much as Falin's deep discomfort with having to witness pain, so I won't go into that too much—but the important part is, Falin isn't inherently a more caring healer than Marcille. They are both making decisions for the patient based on their own approaches to healing—it's just that Falin's approach is preferable for dungeoneering overall.

(In Marcille's defense, it seems that dungeons are an incredibly specific environment that falls way outside the realm of what's actually taught to mages in most schools. Being a combat-oriented mage actually seems pretty frowned upon.)

So, in a lot of ways, Marcille is both realistic about dungeon healing (mana conservation by not doing full heals when not necessary, thinking about pain as the condensation of the time it would have taken to naturally heal, etc.) and very unrealistic about it. What she doesn’t realize is that the pain matters: In a dungeon, people have to be up and ready to continue right away, over and over. If it hurts every time, that makes them very averse to being healed, stressed out about getting injured, and affects their performance as dungeoneers.

All that to say… I personally believe that Marcille is very passionate about healing people. Not healing magic necessarily, but medicine as a whole. It’s not just a means to an end—it’s her main area of study only second to her research into ancient magic. And sure, she might have gotten into it because of her fear of death—but what I think people don’t give enough credit to is that her motivations changed from when she was a child. 

You see it here, when she’s laying her dream outright to the Winged Lion: 

She might be kinda racist herself, hypocritical, and short-sighted (mostly out of ignorance, I’d argue), but at heart, she hates that people hurt each other. She hates that long-lived races look down on everyone else just because of lifespan. She has—arguably very correctly—identified the disparity in lifespans as one of the main causes of interracial strife, and she wants to get rid of it so that everyone can fully understand and relate to each other as equals. 

And in some ways, it’s not even that insane of a dream. 

Knowing that people used to live as long as she’ll have to, and something changed in the eons since, is it really that weird for her to want to change it back somehow? 

But all that aside—the most important part of this to me is that… originally, she wasn’t actually that hung up on completely equalizing lifespans. She got into medicine because she wanted to, at the very least, close the gap as much as she could in her very long life. 

She was realistic about it at first. She thought that, by studying ancient magic’s ability to pull from the infinite, she could harness that infinite energy in tandem with medical knowledge to give more life to the short-lived races. 

But as she says it herself, it changed when she realized that she doesn’t have time to gradually unravel it on her own. 

So, yes. She got desperate. She got crazy. In light of all she did as dungeon lord, it’s easy to assume that she never cared much about healing as a profession, and is just a self-obsessed little girl caged by her trauma and trying to change the entire world to make sure she doesn’t have to be hurt. 

And… she is all that. She's my blorbo supreme but I'll be the first to insist that she is very much a complete hot mess. But my point is that these were very extreme circumstances, and Ryoko Kui has given us all the understated evidence we need to know that she’s actually a very passionate doctor otherwise. This is the girl who freaks out if she’s not useful to other people and not allowed to help:

Did actually get excited about making safe dungeons for helpful purposes beyond just learning more about ancient magic to fulfill her dream: 

And in tandem with her own personal trauma—not in opposition to it or to obscure it—cared about making life more peaceful and equal for everyone in the world. Not to mention, she had to have done some insane work to be acknowledged as the most talented researcher at the academy and be allowed onto teams that were researching new healing magics.

TL:DR, I think she has a lot of empathy for people and passion for helping them, it’s just expressed in a way you wouldn’t expect in a fantasy because Ryoko Kui doesn’t fuck around with her storytelling and genre subversion. She might not be a good archetypal healer, but she's an extremely knowledgeable doctor with a point-blank and intense attitude towards healing and medical treatment (see: her strictness about physical touch when teaching Laios about healing).

For me, all evidence points towards her going back to what she was doing before the story on top of her duties as Court Mage, kind of becoming a sort of Surgeon General for Melini as the head of health and safety for the country and whatnot. 

PS. I will admit that there's explicit evidence she's not good at healing here:

But this was also like... chapter 3. Written years ago. I personally feel that everything Kui has said about Marcille's background since is enough evidence that it was just a one-off joke before she had an airtight idea about who Marcille was and would be, but I'll concede that it's mostly conjecture.

But again, as I said, I believe that while she might not be the best at the heal spell that's used in Dungeons, she's passionate about being a medical researcher and the field of medicine as a whole.

[quarklynx]

remember the headcanon that Alhaitham was wearing hearing aids? we should bring that back i think Bonus:

✨reblog to help ur local artist✨

Alt text under the cut

A short comic, all drawn with a loose style in a warmly tinted grayscale. The first panel depicts Scaramouche from Genshin Impact, he is dressed in the attire he wears as the playable Wanderer character and is angrily gesticulating towards the viewer and looking down at them scornfully. He says, in all capital letters, "are you deaf??". The second panel is a view from behind the Wanderer, showing the viewer that he was yelling at the Genshin Impact character Alhaitham. Alhaitham is significantly taller than the wanderer, even with his hat, and has a neutral expression and stance. The Wanderer has an anime style anger mark above his head, and Alhaitham has a speech bubble that only contains ellipses.

In the first panel of the second image, the Wanderer and Alhaitham still face one another in the same poses, except for Alhaitham's right hand. His hand is moving in the American Sign Language sign for "yes", which is also plainly written out for the viewer in text. The wanderer's anger symbol is no longer present. The middle panel is a simplified silhouette of both characters facing one another, their profiles visible to the viewer. A large ellipses hovers above their heads. The final panel shows the Wanderer turning away from Alhaitham, tugging down his wide-brimmed hat from the front to cover his face. All that can be seen of his expression is a small smile and a bead of sweat. The Wanderer has a speech bubble, which says in lower case lettering: "ah. my mistake". Alhaitham is standing behind the Wanderer, his expression still mostly neutral as he watches the wanderer turn to leave, but he has lines below his eyes that show irritation. His arms are now crossed, and his left hand is holding a book open under the opposite arm.

The bonus image is a grayscale sketch of Lumine and Kaveh from Genshin Impact. To the left, Lumine looks frustrated, with her shoulders drawn up and her left hand pressed to her face while the other rests on her hip. The hand on her face is dragging the lower eyelid on her left eye down. Kaveh is slightly hunched over towards Lumine, and he is laughing so hard he's crying and spitting through pursed lips. He's holding his sides with opposite hands tightly, and looking towards Lumine.

[lupucs]

Multi-Tasque-ing 🐈 Short animation inspired by the joy of petting cats!

(Watch with sound 🔊 Music: Jay Jay by Kevin MacLeod)

[waywardsunlight]

I think Luz's trauma due to being an abuse victim gets ignored a lot in favor of other characters. Luz has an odd role in the fandom as this character who other characters rely on, or who isn't an abuse victim but is supportive of her friends who are, and I think that ends up missing a huge part of her story.

Belos compliments her a lot, which is partially because he wants to reach out to her and mostly because he thinks he can manipulate her. He does some backhanded compliments, telling her she's improved but she still has work to do to catch up to him. He also thanks her quite a few times. The way he thanks her intentionally triggers her guilt, especially when he thanks her for helping him with Hunter. He also compliments her to put other people down, like when he tells her she's "better than this" (implying their race makes them morally superior).

He also uses the same manipulation tactic on Luz that he does on Hunter, although it doesn't work as well on her. He tries to remove his own agency for his physical violence by blaming the Curse. The biggest example is in King's Tide, when he pretends he can't hear her as he's racing after her to try and kill her. He ends up cutting her face while pretending to be out of control and then in the same sequence has full control and clarity to talk to Hunter and the Collector. He gaslights Luz by trying to make it seem like it was The Curse causing him to act in the way he did.

He refers to Luz as "crazy" to invalidate her emotions and harming Hunter in front of her also is a form of abuse. He's obviously aware that hurting Hunter traumatizes Luz (and everyone else) but as his focus transfers from Hunter to Luz in Hollow Mind, he starts targeting her specifically by harming Hunter to hurt her (especially in TTT). Belos shifts the blame for events from himself to Luz and also attempts to make her feel guilty. Hunter seems to understand that Luz is also being abused and tries to reassure her that Belos is an abuser and she shouldn't take what he says at face value. Luz ends up taking that advice to heart after she's able to forgive herself and face Belos. She doesn't speak to him but is able to hear his manipulation tactics and just. stare at him bc he's full of bullshit.

Just because he 'only' hits her a few times and isn't her guardian doesn't mean he can't abuse her or that he didn't. It's not really a protagonist-antagonist relationship as much as it is "adult man nuking 14 year old repeatedly until she becomes god and kills him". The idea that child abuse can only come from parents and not role models or other adults in your life is odd, because he distinctly holds a position of power over her (literally an Emperor and an adult who intentionally isolates her and the other kids alone to abuse them) and uses it to emotionally and physically harm her.

Papa Titan has to reassure her that she's okay to kill Belos because he's literally a serial killer who's lying about his intentions. Luz still slightly falls for Belos's sympathetic line until that moment because he very intentionally tried to get her to feel bad for him and also feel guilt about herself.

This is also why I really detest any fandom takes where Belos canonically is supposed to care about her, or Luz owes him anything. Manipulation is not sympathetic. Belos committed premeditated murder and then used the remains of his murder victim to try to make a "Better Version" of his murder victim which was actually just a way to punish him repeatedly and keep taking out revenge on kids who had nothing to do with the original conflict. Belos is Luz's abuser also, and Luz doesn't owe him any sort of kindness or consideration and her anger is valid.

Luz is an abuse victim of Belos's in addition to Hunter and the Collector (and Vee/Lilith by extension), and she should be considered as such rather than her trauma being invalidated in favor of other characters.

[liamlawsonlesbian]

what book I would give each current formula one driver to introduce them to the joy of reading

an intellectual exercise no one* asked for

Max Verstappen: Guns, Germs, and Steel by Jared Diamond - if you are nd and have read this book, you may understand me. otherwise just trust me. the impetus for this post

Checo Perez: The Trumpet of the Swan by E.B. White - this is an excellent read-aloud book for Sergio Jr.'s age, and there is nothing as wonderful as reading a compelling book to a kid you love, imho

Charles Leclerc: The Golden Compass by Phillip Pullman - he is on the record as a Potter enjoyer. also, I think he would enjoy having a little animal friend

Carlos Sainz: Priestdaddy by Patricia Lockwood - okay yes this is partially a joke about the title, but this is a hilarious and wonderful memoir, about weird families and Catholicism, and I think Carlos would enjoy it.

Lando Norris: Guards! Guards! by Terry Pratchett - in my mind Lando is a little bit like @bright-and-burning but less cool, so this fits. also, the combination of high number of jokes/page + action/mystery seems like a good fit

Oscar Piastri: Ancillary Justice by Ann Leckie - this book has the kind of mystery that really draws you in, plus I think Oscar would dig the questions about AI it digs into. I choose to believe with zero evidence that he would be interested in the funky gender stuff

Fernando Alonso: Cloud Atlas by David Mitchell - look me in the eye and tell me this book wasn't written for Fernando Alonso

Lance Stroll: Ender's Game by Orson Scott Card - yeah

Lewis Hamilton: Die Trying by Lee Child - Lewis deserves to read mildly trashy thrillers <3 plus there's a Tom Cruise movie

George Russell: Changing My Mind by Zadie Smith - as a proud Brit, George should be reading one of the premiere English authors of the 21st century. her first book of essays is a fun and readable place to start

Yuki Tsunoda: Station Eleven by Emily St. John Mandel - I don't have a Yuki-lore explanation, I just want to give him one of my favorite books

Daniel Ricciardo: The Gunslinger by Steven King - The Dark Tower series is Lord of the Rings-esque in scope but Western-inflected in aesthetic and written by The Horror Guy, I think DR would enjoy

Alex Albon: The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee - I say this with so much love in my heart, but Alex wants to be seen as smart. this book is brilliantly written pop science

Logan Sargeant: Bloomability by Sharon Creech - yes this is a book for tween girls, but it's about boarding school in Switzerland, and Sharon Creech is a genius. if I could convince him to read it, I think he would love it

Valtteri Bottas: The Fellowship of the Ring by JRR Tolkien - what are hobbits if not humanoid moomins?

Zhou Guanyu: Piranesi by Susannah Clarke - a fun, exciting, stylishly written book for a stylish guy

Kevin Magnussen: Watership Down by Richard Adams - rabbit warfare <3

Nico Hulkenberg: A Gentleman in Moscow by Amor Towles - Hulk SEEMS like a Dad Who Reads Historical Fiction, even if he isn't yet

Pierre Gasly: Six of Crows by Leigh Bardugo - I almost said A Game of Thrones but I don't think that would be good for him. so, Six of Crows. he likes heists!

Esteban Ocon: City of Brass by S.A. Chakraborty - a superhero origin story of sorts for Mr. Spiderman

Bonus: Liam Lawson: Gideon the Ninth by Tamsyn Muir - lesbian from New Zealand. let me have this

*ro asked for it, take it up with them @oscarpiastriwdc

[tapestryundone]

constantly thinking abt the long quiet and the shifting mound and their relationship w humanity. because the two are very much not mortal and even in the what happens next ending its very ambiguous if they ever WILL be or Can be. but even still they have both felt what its like to be mortal

i feel like its vague if the entity the two used to be even percieved its own existence. the way the narrator talks about it makes it seem like the two only existed conceptually and as a result lacked a complete sense of identity, and didnt need to, and wouldnt want to. but in the same way a thought cannot be unthought, the narrator gave them a glimpse into what it felt like to be mortal and the two can never un-know it, even if it wasnt exactly the same

the long quiet in particular seems especially tied to humanity and in some aspects seems to want to BE human (which feels so potent given how decidedly Not human he is). the game tends to imply that every option you get is a thought he DOES have, and in the spaces between, the choices dont seem as influenced by a given voice, which highlights even more how much he feels conflicted on his own nature that he gets Multiple options to express discomfort with himself being a god

it just gets to me how one of the options during the fight is literally "appeal to your shared humanity". because even if the two are gods, their separation and reshaping has given them humanity that they can never un-feel. for how much the shifting mound grieves what she once was, she cannot will her humanity away. shes mourning what the two of them once was and is desperate to have it back at any cost, even though they can never be together how they once were.

even if the long quiet goes with her, theyre still apart and lack balance, because the two once just Were and werent two parts. they werent both halves, they werent two concepts, they were just one concept that happened to, by human eyes, consist of two halves. and the narrators insertion of humanity into the mix in order to separate them, separating them into concepts that humans understood, manually put into existence a struggle for equilibrium where that balance had simply Existed

but theyve already perceived what felt like reality and can never un-see it. they were separated and Need the other to feel whole and for reality to BE whole but the moment that either of them realized their own free will, the moment the two fully came to feel like people, they could never be together the same way once again

im struggling to come up with a metaphor that isnt silly but its like if you took a piece of fabric and cut it in two and made them both into shirts. youve added a piece of humanity into them and doing so cost its original form. to take them apart and try to put them back together would never get you the original, whole piece of fabric back, because theyve been completely changed by their own unique destruction and reconstruction

they were separated in a way that gave them humanity that they have such conflicting feelings on. both seem to have a deep love of humanity but vastly different ideas on what humanity needs to thrive, because its in their natures

in order to get one to kill the other the narrator let the long quiet interpret the both of them as mortal. and for a being of perception and an god thats being lied to, this became part of their limited view of the world, on top of all the other reasons that the two gained humanity. the long quiet couldnt be told what to do if he didnt have the ability to potentially act on the narrators desires, and the shifting mound could never die if the long quiet didnt believe her to be capable of death

the narrator gave the two humanity and the shifting mound is very reasonably distressed by this. because the two of them never asked for this but they cant undo it. it is her OWN subtle desire for things to be the same as they used to be, her own piece of that stagnation that also led to her experiencing humanity, that makes her so adamant during the fight. she misses the long quiet and wants to undo a change that cannot be undone in search of a constant state of being that was taken from her

and the long quiet felt so closely tied to mortality, both its existence and absence, that no matter what, he wants to aid humanity. but hes been lied to and denied autonomy to the point where he doesnt know what that entails. but he wants to be a part of it. he was given fake mortality and cant seem to figure out how he feels

the shifting mound is set in how she feels it best to aid in the existence of life. she is stagnant in her feelings because its all that feels right to her. the long quiet is ever-shifting in how he feels it best to aid in the existence of life. he is changing in his feelings because its all that feels right to him

getting to the heart of the shifting mound allows them a moment to discuss it as the closest they can get to mortals. the two care about their impact on life and what it means to be alive and what better way for the two of them to truly decide what they want to do about it, outside of the conflict thats been forced between them, than as the mortals they never were?

[tcfactory]

Please consider: Liu Qingge and Shen Qingqiu role-swap

[LiuJiu, 2300 words]

After the fire, Shen Jiu doesn't sit around, he's aiming straight for Cang Qiong. Wu Yanzi tempts him, but if he is to ever find out what happened to Qi-ge then he can't play around with rogue cultivators, so he ditches the man before Wu Yanzi could take him as a disciple.

He arrives to the sect at a year when they are not doing the disciple selection - the women at the Warm Red Pavilion say it's because the Sect Leader is busy monitoring his cursed head disciple and if the Sect Leader doesn't take part then the rest of the sect has to wait too - but he's tipped off that Bai Zhan is always open to those who are determined enough to climb the mountain and demand admittance.

So that's exactly what he does. The Peak Lord sets him against one of his junior disciples and tells him there are no rules, if he can beat them he's in. It's a test he's not supposed to win, to see his determination and his reaction to failure, as a malnourished slave boy should be no match to someone in good health who has two years of training under his belt. But Shen Jiu doesn't know this, he has come too far to give up now and unlike the scrappy, but well-fed farmer's son he's set up against, he fights dirty.

He sets the basis of his future nickname - The Rabid Wolf of Bai Zhan - that day when he claws the boy's eye out and forces him to yield. His rise among the disciples is almost as meteoric as Yue Qi's and people are on the lookout for when the upstart slave boy will plummet back to the earth, but he never does. When the year is up and the sect is abuzz that Lingxi caves are finally opening again because they are letting the cursed disciple out, he's there in the front row among the curious onlookers and throws himself in his Qi-ge's arms as soon as the other boy steps foot into the light again.

Shen Qingqiu grows up tall and willowy and unpredictable, an unconventional physical cultivator that bends with the wind, but never breaks. With Yue Qingyuan's support as an unshakeable mountain behind his back, he is untouchable. He never bothers to hide what he is, not his scars or his sharp edges or the slave brand burned into the meat of his shoulder, often bared to the world by his choice of outfit; he stands as testament that even the lowest wretches can claw their way up to stand among giants.

Liu Mingqu yields to his rich family and allows himself to be enrolled into Qing Jing. He is not as suited for spiritual cultivation and he has no head for arts, but he is still a prodigy and a really hard working one at that. He learns all there is to learn for a scholar and doesn't rest until he perfects them all - music, calligraphy, painting, poetry - and even if he's ever uninspired about pursuing them, the Peerless Beauty of Qing Jing is a competent teacher who stands head and shoulders over his peers. He masters his temper and his manners and takes to hiding his face behind a fan or sometimes a veil like his sister to discourage people from staring at him.

Their roles may be different, but their nature remains the same. Shen Jiu has always been more clever than he was strong and nothing changed about that now that he's essentially a spiritual cultivator playing at star athlete. He plants a bamboo forest on his mountain - for meditation and ambush practice, he says, but everyone knows he just needed a bubble of calm for himself in the endless war zone of Bai Zhan - and mercilessly beats any disciple who dares to damage the forest. In the serene calm of his little house he hoards books and maps and all the culture he can get his calloused hands on, always thirsty to know more, an endless pit his Qi-ge happily pours obscure knowledge into. He uses the standing feud between Bai Zhan and Qing Jing to spy on them, learn their cultivation methods by sight and listen to the senior disciples do ad hoc concerts, so he can practice music in the brothel or under a silencing array just behind his house.

It's during one of these trips when he discovers Liu Qingge behind the Qing Jing Peak Lord's manor, restlessly shuffling through the steps of a formal dance. Liu Qingge yearns to move, he yearns for the exertion of his wild youth, but there are only so many acceptable options for a scholar and as a cultivator he can't channel his restlessness into hunting or horse riding. That leaves dancing, but Liu Qingge is not a creative person. He sticks to the dances he half-remembers learning as a rich young master and maybe asks his sister for some more, but that's where his resourcefulness runs out on this venture.

Shen Qingqiu watches him go through the steps of the same dozen dances, swap to a few rounds of sword forms - perfectly executed and ethereal, an immortal beauty that earthbound Shen Qingqiu will never be able to replicate - and then swap back to the dances, increasingly frustrated and restless.

"If Peak Lord Qingge wants to learn some better dances, this shidi can introduce you to someone." Liu Qingge startles and almost turns him into a pincushion with a barrage of bamboo leaves.

"What do you want?!" They are secure in their respective positions, but they still don't like each other.

"Peace, shixiong. I'm just looking out for the sect. How would it reflect on me if I let my fellow Peak Lord work himself into a qi deviation and didn't step in?" Shen Qingqiu shrugs and smiles with an easy, predatory grace that makes Liu Qingge wish he had fangs to match the Wolf of Bai Zhan, but there's no malice in the offer. "Come now, shixiong. There's nobody else here. We don't need to do this stupid game of social posturing. Tell you what, as a sign of my goodwill I'm going to teach you a meditation technique to calm your qi after exercise, free of charge."

Almost everything with Shen Qingqiu is a transaction, so Liu Qingge knows better than to pass up the chance to get something from his shidi for free - and the meditation does help settle his roiling qi.

"What do you want in return, then?" It's almost terrifying how intensely Shen Qingqiu's eyes light up.

"That trick with the leaves - teach me how to do it."

Liu Qingge doesn't bother to point out that it's a spiritual technique. It's an unspoken secret that they would be better suited to each other's cultivation styles than that of their own peaks. Shen Qingqiu has a storm of razor sharp leaves dancing in the air before Liu Qingge is even done explaining.

He almost regrets agreeing when Shen Qingqiu takes him down to the brothel, but the women his shidi introduces him to are truly masters of dance - they were stars of an imperial dance troupe before their owner was executed for offending the Emperor and they were sold to the brothel. They take him to the back and teach him dances he could never have imagined, dances that make his heart soar and his blood rush hot in his veins, while Shen Qingqiu lightly dozes among the women in the main reception area, his very presence frightening all but the most unruly patrons into behaving.

Liu Qingge is an honest man and he knows, deep down, that he got much more out of this exchange than his shidi. He’s on the lookout to see how he could repay him, but Shen Qingqiu seems to want for nothing. What he can’t get on his own Yue Qingyuan gifts to him, doting relentlessly on his sharp-edged little brother. So when he hears that Shen Qingqiu is to set out to assist in a night hunt against a particularly dangerous demonic beast that made its way over the to the far shore of the sea, he hops to the opportunity to compile a scroll of all the unspoken rules and etiquette of the island, as well as a short history on the ninja clan that asked for their aid. It’s all information that Shen Qingqiu has no way of learning otherwise, but should ease his time on the hunt.

When he can’t find Shen Qingqiu at the bamboo house he goes looking for him and that’s when he finds the silencing array, that’s when he sees his shidi sitting with his guqin in a clearing, composing music. Liu Qingge’s mouth goes dry, his heart skips a beat - his shidi is like a vision from the heavens and for the first time since he started this scholarly lifestyle, Liu Qingge wants to paint. He wants to etch this scene in his heart and condense it into a poem.

He slinks away before his shidi can notice him and leaves the scroll in the bamboo house. In the three years Shen Qingqiu is gone, hunting that elusive monster that decimates one village after another, he becomes a man possessed - or more accurately, a tender hearted young maiden yearning for her first love. He paints picture after picture, sometimes of a wolf stalking among the bamboo, sometimes of Qingqiu with his guqin as the scene lives in his memory. Rarely he paints his shidi stretched out on a couch in the brothel, languid with feigned sleep and one eye opened a crack as he vigilantly watches over his sisters - he gifts one of those to the brothel, much to the ladies’ delight. He starts writing poetry, yearning, horrible poetry his sister mocks relentlessly, but slowly he finds his words and his latest attempts are almost good. He is the first to hound Zhangmen-shixiong for news on Shen shidi and learns every word of every letter by heart, no matter how short or impersonal the progress reports are.

Liu Qingge knows that his martial siblings are not blind to his obsession - he has caught Shang shidi muttering “bro, really?!” under his breath more than once. He’s not familiar with the expression, but he can understand the sentiment. Yue Qingyuan watches him with patient exasperation, but he knows that the man doesn’t disapprove from the mild comment about how Shen Jiu will need a new ceremonial robe for his return celebration because his old one is ten years out of fashion.

Embroidery is, technically, within the skill set of the Qing Jing Peak Lord. He hounds An Ding until someone supplies him with Shen Qingqiu’s measurements and the finest materials he can bully Shang shidi into acquiring - “That’s the same stuff demon royalty wears, try not to waste it, my contact had to go through the royal seamstress of the northern kingdom to get it in that color.” - and sets to work. Bai Zhan’s color is steel blue, but that never fit his shidi, so he picks greens instead to match his striking green eyes. He creates a design that accentuates the deceptive slimness of Qingqiu, then embroiders the robes with bamboo patterns and a wolf on the hunt and when they are done he crafts a matching fan - Shen shidi hides from nothing and nobody, but Liu Qingge thinks he might enjoy being a little mysterious.

He is daydreaming about his shidi during the next Peak Lord meeting when the Sect Leader breaks the news: the beast has finally been slain and Shen Qingqiu will be on the next ship back home. Liu Qingge stays barely long enough to not be impolite at the end of the meeting before he rushes off to finish the last touches on the robes. He wants to leave it all set out for his shidi in the bamboo house.

In his haste he misses the look Shang Qinghua and Yue Qingyuan exchange behind his back.

“So, about those arrangements we made…”

“Yes, please. Let’s get Xiao Jiu home before Liu-shidi pines himself into a qi deviation.”

“Yeah, he’s down bad isn’t he?”

“Are you certain your prince doesn’t mind? If you are in any danger, shidi…”

“No! It’s fine, I’m fine, he already agreed to it! In fact, my Xuebao likes your brother so much I’m almost a little jealous.”

“Really now?”

“Zhangmen-shixiong, please stop looking like you are plotting murder. It’s not like that. As the Mobei prince, he really doesn’t have a lot of friends. Of course he misses A-Jiu.”

“If you say so, shidi.”

Liu Qingge is all jitters when he walks down the path to the bamboo house. He can’t understand why because Shen Qingiu won’t be back for months, but he still feels like a maiden on her way to ask out her love on the first date.

He almost drops the package with the robes when he opens the door and finds Shen Qingqiu standing there in the sunlit room. His shidi is too solid, too real to be an apparition, his clothes worn from travel, his heavy pack still unpacked by the table. He stands with a letter in one hand - Qingge recognizes his sister’s wobbly, childish handwriting - and with Qingge’s notebook in which he wrote all his stumbling, horrible poetry in the other and Liu Qingge wishes nothing more than for the ground to open up and swallow him whole.

“Are those my new robes?” Shen Qingqiu asks, as if they have only met this morning, as if that was a reasonable thing to ask when Qingge’s heart is about to explode from nerves. He can only mutely nod at his shidi. “You know shixiong, I can see that you have put enormous effort into courting me. I would have loved it if it happened when I was here to experience it.”

Shen Qingqiu sets the notebook and the letter down and stalks up to Liu Qingge, his eyes sharp with an emotion he can’t interpret, but it makes Liu Qingge want to bare his throat to his teeth and be devoured.

“So, Liu-shixiong. Are you going to help me try on my new robes?”

[symptomofgout]

the narrative of kaveh being an idiot is so baffling to me because he is, quite literally, canonically considered a genius…? why is the popular consensus “6000 IQ alhaitham and his lovably stupid roommate kaveh” when every npc commenting on kaveh refers to his intellect & talent, the literal god of wisdom says kaveh has an “almost-perfect grasp of what it truly means for sumeru to be a nation of wisdom” (whereas she questions alhaitham’s wisdom in her line about him), and alhaitham’s own story profile calls kaveh a genius multiple times??? like the whole point is that he’s alhaitham’s intellectual equal despite having entirely separate worldviews and demeanors, which frustrates alhaitham to no end — ‘how can someone so smart do all of these things that, to me, are so evidently stupid?’ the takeaway from their dynamic should NOT be kaveh is dumb, but rather that empathy and emotion aren’t actually the opposites of logic and intelligence, but sadly both alhaitham and the realm of academia as a whole are too blinded by their own definitions of logic to fully realize that.

tl;dr kaveh is not dumb by any standards and i will prove it

(under the cut: quotes/screenshots/etc proving this + more. please spread the gospel and dispel ignorance. amen)

some npc voicelines (there are more but i’m lazy):

these are pretty self-explanatory — kaveh is a widely-renowned scholar, architect, and engineer throughout sumeru. he graduated from the akademiya with flying colors, students were desperate to take his classes, etc.

nahida’s voicelines:

both are intelligent but only one is wise: kaveh. alhaitham is too restricted by his narrow definition of wisdom (read: what he deems ‘logical’) to look beyond himself and grasp that there’s more to intellect and knowledge than pure cold rationality. he can’t comprehend that empathy and intellect aren’t fundamentally incompatible — in fact, they’re best when put hand in hand. kaveh is one of the few scholars capable of valuing emotions, empathy, and artistic endeavors, while the rest of the akademiya closes themselves off to that entire realm of knowledge from the get-go. this is what makes kaveh uniquely wise, and what alhaitham lacks. until you understand that emotions and logic can and should coexist, you won’t be successful in the true pursuit of knowledge.

last but not least:

alhaitham’s profile (worth noting that profile stories are pretty much the most reliable source of information on characters’ true beliefs and opinions — their voicelines are still them putting on acts in front of the traveler, but these stories are told from the perspective of an omniscient narrator and are likely closer to the truth):

“two geniuses.” and even after their falling out, “neither of them will deny the other party’s exceptional brilliance” — meaning alhaitham considers kaveh to be exceptionally brilliant. point blank. in the text bro

hilarious line — it’s basically alhaitham saying he doesn’t understand how someone with kaveh’s talent and intellect could have a personality/worldview so different from haitham’s. ‘how can someone that smart be so annoying!!!!!’ and ofc by values we know it’s referring to kaveh’s idealism, empathy, and affinity for the arts

alhaitham considers kaveh to be “another genius,” someone who is so much his intellectual equal that he’s “an excellent mirror” for alhaitham. it’s like an experiment for him — the initial question is “how can someone as smart as me care about all of these things i’ve always believed to be worthless,” the subjects are kaveh and alhaitham, the controlled variable is their intellect. because their intellect is the same, alhaitham is able to study their differences (can’t attribute said differences to varying intellect). alhaitham would never say it out loud — and luckily he doesn’t need to bc his character story tells us — but he’s deeply fascinated by kaveh bc kaveh’s very existence is a threat to haitham’s worldview, & he’s letting kaveh stay with him bc through kaveh, alhaitham learns about not just himself but the outside world and humanity as a whole, and as a scholar, there’s nothing more valuable. (also because he feels comfortable with kaveh [“he’s a familiar face”] and they’re both lonely [“similarly lacks familial attachments”] lol these two are never beating the We Know You Don’t Actually Hate Each Other allegations but that’s a different point so i digress)

IN CONCLUSION:

this is all just the TEXTUAL evidence — people saying “kaveh is smart” — and doesn’t even include all of the obvious implicit signs of kaveh’s intellect (no one who graduates from the akademiya w honors and teaches classes there could be anything other than incredibly intelligent, al “i don’t do anything that i don’t want to do” “i’m not going to bother explaining it to you because you won’t understand” haitham not only puts up with but actively seeks out debates with kaveh which he absolutely would not do if he didn’t respect him or consider him to be of roughly equal intellect, look at the debates he has w alhaitham on sumeru messageboards and TELL ME those messages sound like they were written by an idiot or itto or something [you cant], etc etc etc).

and also this is all from 3.3 (+ 3.4 alhaitham leaks)! we don’t even know kaveh’s rarity yet, that’s how far he is from being playable, but there’s already this much information on just how smart he is! it’s the main thing we know about him — 1) he’s smart, 2) he’s passionate/driven by what he feels is right! why does that keep turning into “LOL HOTHEADED HIMBO”??!

okay look. this is all so extra i know. BUT. i must set the record straight now (god knows it’ll only get worse the closer we get to kaveh’s release) because this sudden-onset mass illiteracy within genshin players is going to send me to an early grave. feel free to use as a resource and educate the ignorant so kaveh does not end up reduced to a one-note meme dumb guy when literally that’s just… not even in the game. i mean at least other annoying OOC fandom interpretations have basis in the game but genshin literally tells u every time it gets the opportunity that Kaveh Is Just As Smart As Alhaitham Because Cold Rationality Does Not Equal Wisdom/Intelligence and losing that would be such a crime because it is by far the most interesting n promising thing hoyo has done with new characters in ages! like, not only are they funny and entertaining, not only are they fascinating incredible foils for one another, but they’re used to make a much-needed argument against the prevalent hegemony of mindless rationality and our “logical” society’s illogical fear of emotion/empathy. but yeah sure, theyre just itto & ayato 2.0, i guess. god. the lack of reading comprehension among genshin players is literally an epidemic

[carnivalcarriondiscarded]

whiteboard shenanigans w @indigopoptart <3

[esteemed-excellency]

expanding on these two posts bc i can't stop dissecting hiram and the deviless' relationship

The Deviless realised Hiram was truly smitten when he asked her if he would still be able to love her after the abstraction. They were discussing the pros and cons (read as: she was preying on his fears and hectic mental state after the violant incident), and she told him the effect was different from person to person. She thought his concern was endearing, but no matter how much he tried to delay the inevitable, he knew the specifics of abstraction (he was still a spirifier) and had already made up his mind. That's what he wanted, wasn't it? To get rid of all the unwanted pain and fear and sorrow? All else was secondary, and not so important in the grand scheme of things. Sure, it was a gamble, but she always thought him to be quite fond of gambles, wasn't he?

Hiram told her he didn't mind the gamble (he truly didn't), and all else was in fact secondary, but she was important. She laughed away his concerns.

During the abstraction she found herself wondering the same thing, whether he would still be able to love her. The answer apparently was no. But he kept showing up at the Embassy, asking questions about the Laws, and telling her all about his progress with the Marvellous. It became a routine, but as much as he was always attentive towards information, he never seemed to pay attention to her as before. She didn’t mind having him around, but his coldness bothered her in a way that had never bothered her before. She didn't feel so important now.

He rarely thanked her for the intel she provided, but sent gifts more consistently than before, without ever mentioning them.

One day, long after he got all the answers he needed, she asked why he was still keeping up appearances. He told her he loved her, like he did many times before. He thought it was clear. It was then that she realised he truly did. She began to notice a subtle undertone of certitude in his voice, where before the abstraction there were desperation and urgency, and where immediately afterwards there was nothing. Just because he was saying it differently it didn't mean it wasn't true.

No matter how many times he said it over the years, it still hardly ever sounds true. But now, after all this time, she knows it is.

[ink-the-artist]

I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next

I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.

I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool

i edited a small bit of the original scan to show what i mean

original:

with the edited layer:

heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it

[mblue-art]

Sorry for that question but I really curious!

What made you fell in love with Cross and Lust?

Tell us more!!

😳😳😳 hhuh what rreally,, , ,,, 😳 u wanna hear me yap abt my sillies, my beloveds,,, (i appreciate the enthusiasm tho omg 🥺🫶🫶🫶)

i want to have the yuris with lust and the yaois with cross I I MEAN HWHWAT 🧍‍♂️

UM.

haha anyWAY,, (oh gog this ended up long)

🍫—

cross checks so many boxes for me it makes me go insane. too good to be true. versatile(??)— like it's somehow way too easy to put him in Situations. (he's bf and husbone material??? just -20hp me now; that already kills me) he's. hh. gawddamn there's reasons why he won a utmv sans sexyman poll.

he's like a crush that you can't get out of your head no matter what you do, i'm so freaking down bad for him it's not even funny anymore. ever since simping for cross i have not been the same since. the man has changed me. the attraction/simp feelings hit me like a bat out of nowhere and i don't understand why it's so intense— i. hh.

,,i like when ppl make him dorky. stupidly silly (absolutely love shitpost shenanigans and would absolutely LOVE to get into silly shenanigans with him and with/without his bestie epic). fun to be around when he's deemed you as a good friend. stars, he'd give good hugs. strong, solid, and warm, the kind of hugs u don't wanna pull away from so soon. a little endearingly cringe. fanon simp cross is adorable and fun to mess around with. tsundere cross is adorable and fun to mess with. cute anxious guy under all that intimidating aloofness. when i say his smile is an absolute treasure, i mean that. his blush making him look like a grape or a glowing bulb is adorable and makes me wanna tease him more. anime protag/character vibes so strong i wanna have a cute bl/shoujo manga romance with him type shit yk.

then there's times when he's The Hot Dude and i think it's illegal if he's all confident and smug and dom actually (/hj) cause that makes me wanna fucking fite him HELLO? SIR? ILLEGAL????? (<- the fight or flight response of a tsundere towards a milder tsundere LOL).

-hp every single time. mf gets successful d20 rolls w/ rizz on me and i get a critical hit every time. it's a 50/50 either i fluster to death and become weak or i wanna fite his dumbass

i'll. i can fight him. i'll lose but i can fight him for sure. (why is he so cool⁉️‼️💢💢💢RRRRRRR)

he makes me feel things. lots of things. (mostly fluster but when i'm feelin sooper soff i jst wanna shower his skull in keeses. ima kissy lil guy)

tired cross makes me just wanna take care of him. want him to come home to me without any worry because he thinks i'm his safe space.

when he's being stubborn i want to tell him to chill out for a little while, take a break and watch some funny stuff while drinking choccy milk or eating his fav foods and be cozy. bapping him if he's gonna try to get out of this too soon. he's gonna get the free time he deserves n relax n get cuddles n kithes.

the way he can gently hold my hand and look at me with a sincere look in his eyelights and say something genuinely affectionate feels like cupid shooting an arrow through my soul, but also feels like a balm. (a promise of loyalty and faithfulness.) (a kiss on the forehead? a cherry on top.)

well now i can't be mean to him with all the nice he's saying and doing. i just want nice things for him o(-< (even if he's a bastard sometimes lol<3 all circles back to the silly) (silly is always important)

💜—

i love lust. so so so much. the fanon interpretation of him, anyway.

(don't get me wrong, i absolutely adore the feminine slay content of lust; but am i wrong for yearning for more masc lust content?)

i like my lust sans respectful, goofy, sans-like, an absolute sweetheart, and a caring, wonderful life partner. under the flirty personality and charm(ing looks), is a sans behavior that made me fall deeper. (he makes me feel very gender too) (ohmygofd yeah no he actually makes me think of gender sometimes rauauagrrgh<3/pos). i don't have to worry about showing my cring, weird side to him, because he's also a gremlin,, o(-< he doesn't have to present himself all nice and pretty all the time (although he's always pretty in my eyes). he can be comfortably himself; with me 🥺

i want to be his safe space.

i want to see him heal and be happy and be happy with me and give him all the love i can give and care for him and make him soso happy i just want him to feel SO sosososo loved, he deserves so much more

he's the only one who's able to get a certain reaction out of me; to pull flowers out of my heart. to pull out words of love and devotion and appreciation, heart bursting with affection only for him.

for him, i would try. i would live for him. i wish someone like him (the him i've created from interpretations and headcanons) was real irl.

i want to not care i don't care if he's a gorgeous well-known person that people fawn over, or if he's a campus crush, etc.,

i want him to think i'm worthy enough to keep in his life. for him to know how special he is to me, for him to know how much i want him in my life as much as i want him to keep me in his.

my immediate reaction when i think of him is: 😊💕💜💜💜eeeee kicks and giggles and flaps hands teehee

i love him so much i get a heart-on for him (/silly but it is true sometimes; love him so much it aches (in a good way))

[charbies]

I'm mashing together my review of totk and reactions to random encounters with the masterworks I've had lately into one stream of consciousness

Totk should have had true continuity, not a 6 year time skip that we never get to see, experience, and feel. It's not that hard to bridge 2 games with a 1-2 min cutscene, esp in a zelda game. Majora's mask starts with quick, but meaningful exposition that bridges OOT to MM! The intro to wind waker is a 6 minute long cutscene!! This series thrives with its detailed, intriguing intros, so what happened?? Before I even launched totk the night it came out, I booted up botw and replayed the final boss & ending because I was so stoked to see the transition in story/world and wanted to honor both games. Instead boom, we're walking in a cave w/ no context.

I was so disappointed that zelda wasn't a companion character to link in totk, it was disempowering to her character arc. Really thought this game would build off of botw's snippets of link & zelda working together in memories. The teasers and trailers for totk gave this perception that she would be there (which would also "break tradition" like devs wanted, ffs). When I was on the tutorial island I was fully convinced I'd be finding her and we'd reconvene like "ok what's next." When I realized 20 mins into the game that she was GONE gone, as in will not reappear likely until the end of the game damsel-in-distress-style, my verbatim thought "wait... really? Is this still going to be good?" Which was kinda sad, for a game I waited so many years for :/

I had major pet peeves with the copy/paste nature of the cutscenes with the old sages. The dialogue, bgs, pacing, literally all identical. They just hot swapped the character models for the sages and said that was good enough, wtf!!! I live for cutscenes in games, I have since I was like 5. This felt lazy, and seriously demotivated me from completing the dungeons bc I knew there was going to be nothing novel or intriguing to look forward to

The secret stones were gimmicky af. Sorry. Also stupid name, they couldn't even opt for "sacred?" Ik in other languages they have way cooler names, which would have helped. Link's fucking thanos glove of stones was a stupid gimmick, I cannot believe they didn't think to alter that concept to be more mythical, or creative, or just original. I would have killed for the stones to relate to the triforce in some way, or to do away with the stones and have this game connect to the triforce, since the whole direction of this story was going back to ancient myth & lore.

the Zonai lacked depth, and honestly just felt like a boring distraction even tho they were supposed to be a central focus of this game. I 1000% agree with other folks posts on the take that rauru was a flat, 2-dimensional colonizer. Sonia got sidelined. yikes. ew. no thanks.

^similarly, ganon really was given no character or depth imo. It's like they did a fantastic job making him visibly LOOK scary, so they didn't bother to give him motives beyond "I'm bad, I do what I want."

the cliche "back to normal" at the end irked me. Link could have come out with no arm, keeping the zonia arm, or at least scars w/ the zonai arm pattern and that would be meaningful. Zelda got factory reset from irreversible draconification in a method that for all intents and purposes, could have been done as soon as link got rewind ability. There was no investigation or inclusion of the other dragons, which seemed like a missed opportunity. Actively working on reversing her could have been a main quest in game!! Like 1. Complete all dungeons/get all stones, 2. you can now go round up the spirits of rauru & sonia and reverse zelda yippee, 3. you and zelda go beat the shit out of ganon together. The dragons fighting was beautiful, powerful imagery, but honestly I think too much potential was traded away just to execute that one fraction of the boss fight.

The masterworks book annoys me, which is sad bc I love concept art. I wanted to be a concept artist growing up, I can accept that you'll often see things that never make it into the final cut. I was enamored with early posts abt things like zelda's haircut, char designs, etc.

But more recently I'm seeing the anthology side of the book taking major liberties that it didn't even bother showing us directly or alluding to in the game, and I think that's such a cop-out. They are literally telling us instead of SHOWING us in the game they release a year ago, and spent SIX YEARS making. There was a festival celebrating the return of zelda/defeat of ganon?? Freaking show us that!!! Show us link & zelda acclimate to post-calamity life. Show us imperfect, non-linear healing and resilience. I would have loved a festival scene w/ link and zelda that conveys the nuance of celebration and recognition of their efforts, and the contrasting weight of what they went through. Show me zelda, exhausted after a festival struggling with guilt and indecision about whether to bring back the monarchy with hyrule's restoration. Throwing in a "oh btw imagine if we actually had done this" post-game makes me so irritated and feral. It's like the post-release canon is sidling up to fanon and saying, "hey look we can do that too! look at our fan art" idk if that makes sense, I don't think I'm explaining it well. But it just feels disingenuous.

I'm not a timeline purest, I don't need everything to interconnect, but I don't love how assertions in this book invalidate connections and lore of other games. Also really don't love how this game overwrites and sidelines the sheikah.

I know majority of my disappointment stems from my own, personal expectations of a game that, let's face it, was probably given many mandates and initiatives to appeal to *everyone* in broad, lackluster ways. I still love the world and characters of zelda, if anything, totk reaffirmed what I love and want to prioritize in my art that I didn't see present in this game. Fun fact I used the world of botw to learn a lot about drawing landscapes & composition. It actually inspires me a bit to try to learn to do comics, which has been a longtime goal I've been too busy and/or timid to pursue lol.

mmm anyway if u read this and any of this resonated DM me and lets froth at the mouth and commiserate lol

[pinkysberg]

what are your personal sexuality headcanons for the gang? like gun to your head you HAD to choose… but in a less violent way… :)

oh boy! ive been talking about this on tiktok for pride, so im happy u asked here hehehe. (i'll include some explanations where i think necessary)

Dutch: Gay

I am such a strong proponent of gay Dutch who is using women as status markers and attempting to fill the void Hosea Matthews left when he married Bessie.

Hosea: Bisexual

Arthur: Bisexual

I also appreciate aspec Arthur, so I guess on a real technical level I'd say asexual and biromantic but thats wordy.

John: Bisexual

I think he's got some crazy internalized homophobia and a pretty strong preference for women (specifically Abigail).

Abigail: Bisexual

Sadie: Lesbian

I like to think she and Jake were both gay, best friends and in a lavender marriage because the more gay people the better :)

Charles: Unlabeled

I don't think that if Charles even had the language to articulate his sexual orientation that he'd put a label on it. Certainly not heterosexual though.

Javier: Pansexual

Has a very "sexuality is a spectrum/is fluid" vibe about him, you know what I mean?

Bill: Gay

Molly: Lesbian

Comphet goes crazy!!!

Susan: Straight

Pearson: Straight

He was in the Navy so I imagine there's no way he hasn't canoodled with another man but I don't think he enjoyed it. Like he said, the Navy has "too many men".

Micah: Straight

Leopold: Gay

I said on TikTok that he has "evil disney villain" gay vibes.

Karen: Bisexual

Mary-Beth: Straight

I know people like lesbian Mary-Beth or ship her with Tilly but for some reason I just see her as heterosexual. But I'm not opposed to other's interpretation.

Tilly: Straight

Josiah: Gay

Lenny: Straight

Sean: Straight

I do enjoy Sean x Lenny as a ship but somehow in my brain they're just a couple of heterosexuals who are comfortable in their sexualities lol.

Uncle: Straight

Jack: ???

I have no hard feelings about Jack's orientation.